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Templates / Contract

Free Book Writing Contract Template

A book writing contract covers scope and deliverables, payment timing, review and rewrite terms, ownership, responsibilities, and how either side can end the project.

Book Writing Contract template preview

Language:

en

Category:

Last updated:

October 2026

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A life story or founder story can’t land if the voice comes out glossy, corny, or like a long LinkedIn post, so the agreement has to say how the work stays true while the hard bits still get handled. This book writing contract names the project, ties the terms back to an accepted proposal, and sets the rules from first interview through handover, with Raleway headings on green and magenta accents so the document reads editorial rather than salesy.

The contract spells out what gets delivered in Scope of work, including the voice sample, chapter plan, draft manuscript, a rewrite pass, the final manuscript package, and the interview recording library. Payment fixes the 30% booking invoice and the remaining 70% at handover, both due within 14 days, and explains what happens if an invoice goes past due... which means nobody has to guess whether writing pauses or dates shift. The later sections cover how mark-up works in Reviews and rewrites, what transfers to the client under Who owns what, and how sensitive material gets flagged and agreed in plain terms.

  • It covers the book writing project Connects the contract back to the accepted proposal and defines which document controls if the two ever conflict.
  • Scope of work Lists the deliverables and the weekly input expected, including recorded interviews and supporting notes.
  • Payment Sets the 30% booking payment and the 70% final payment at handover, with 14-day terms and a pause on new work if invoices go past due.
  • Who owns what Transfers manuscript ownership after the final invoice is paid, keeps internal processes with the writer, and limits sharing of recordings to the project team.
  • Ending the project Explains notice, how completed work gets itemised and invoiced, and what gets handed over once work to date is paid.

In Plutio, the contract goes out after the proposal is accepted online, then the client signs online and both sides have the same terms to refer back to. Before sending, you swap in your names, dates, rates, and any terms that differ from what the template assumes, so the contract matches how you actually run a books & memoir job.

We went from spending hours on every proposal to creating fully customized ones in under 5 minutes. That's not an exaggeration - we timed it.

Yazan & Mawaheb
Yazan & MawahebAgency Owners

What to include in a book writing contract

PartWhat it covers

It covers the book writing project

Links the contract terms to the accepted proposal and explains how the two get reconciled if anything doesn’t line up.

Scope of work

Defines the deliverables the price and timeline are built around, plus the weekly interview rhythm and supporting material needed to keep chapters moving.

Payment

States the 30% booking invoice and the remaining 70% due at handover, both payable within 14 days, and explains what happens if payment is late.

Reviews and rewrites

Defines the included rewrite pass after mark-up, what counts as out-of-scope change, and how pauses in review affect delivery dates.

Who owns what

Transfers ownership of the manuscript text and recordings after the final invoice is paid, and limits how recordings and drafts get used during the project.

Responsibilities

Separates the writer’s responsibility for the manuscript work from outcomes nobody controls, and covers how sensitive material and permissions get handled.

Ending the project

Covers notice, pricing and invoicing for work completed to the end date, and includes a Signature so both sides can sign.

Who it is for

Ghostwriters, memoir writers, and book collaborators taking on long-form narrative work like executive thought leadership and needing clear terms before interviews and drafting begin.

The contract in full

It covers the book writing project you’ve accepted in our proposal, and it sets out how we’ll work together from first interview through to handover of the final manuscript package.

If anything in the proposal and these terms don’t line up, we’ll talk it through and confirm in writing what we’re both working to, before we rely on it. Otherwise, the proposal and the terms below are read as one set of practical rules for the job.

Scope of work

We’ll deliver the book writing work described in the accepted proposal. The items below are the deliverables we’re responsible for producing, and they’re what our price and timeline are built around.

To keep the project moving, we’ll also need your weekly input in the rhythm we agree at the start. In practice that means one recorded interview block each week, plus the notes, emails, links, and “don’t miss this” points that belong with that chapter. Jordan sends the agenda in advance so you’re not guessing what to bring.

* Voice sample and style sheet * Chapter plan and beat outline * Draft manuscript * Rewrite pass after mark-up * Final manuscript package * Interview recording library

Payment

To book the work, you pay 30% of the total price when the proposal is signed. We schedule interviews and start planning once that first invoice is paid.

The remaining 70% is due when we hand over the finished work, which means the final manuscript package is ready and delivered to you. We invoice at those two points. Each invoice is payable within 14 days of its date.

If an invoice goes past due, we’ll pause new writing and editing until the account is brought up to date, and we’ll confirm any knock-on changes to delivery dates. We’ll always tell you before a pause affects the schedule.

Reviews and rewrites

Our price includes one rewrite pass after your mark-up on the draft manuscript. A “rewrite pass” means we take your notes, resolve what you’ve flagged, and deliver a revised manuscript. It’s built for the real work of memoir and business books: accuracy, voice, pacing, and what to include or hold back.

We’ll agree up front how you’ll give mark-up so it’s easy to action. If a review round pauses for more than two weeks, we’ll reschedule the next delivery date so the team can keep other projects moving.

If you want changes beyond the included rewrite pass, or you ask for new material outside the agreed scope, we’ll price it and get your written approval before we start.

Who owns what

Once the final invoice is paid, you own the manuscript text we write for you. You can publish it, edit it further, and use it in other formats (talks, articles, podcasts, courses) without coming back to us for permission.

You also own the interview recordings. We’ll use the recordings, notes, and drafts only to write, edit, and back up this project, and we’ll only share them inside our team working on your book writing.

What we keep is the working backbone we use to do the job: our checklists, templates, internal process notes, and any tools we’ve developed over time. We may also keep working files and backups as needed to run the project and protect against data loss.

Responsibilities

We’ll take care with how we handle your material, but we can’t promise outcomes we don’t control, like agent interest, publisher decisions, sales, reviews, media coverage, or legal clearance from third parties.

You’re responsible for the truth and permission side of your story: the facts you give us, the right to share them, and the decision to name or not name people and organisations. When something feels sensitive, we’ll flag it in the draft and talk it through before we rewrite. We’ll agree the approach in plain terms, for example anonymise, reframe, corroborate, or hold it out.

If we make a mistake, our job is to fix the manuscript work. We don’t cover indirect knock-on losses that sit outside the writing and editing itself.

Ending the project

Either of us can end the project by giving notice. We’ll agree the notice period with you in writing, based on where we are in the schedule and what’s already booked in the team diary.

If the project ends, you pay for the work completed up to the end date. We’ll itemise what’s done and what’s in progress, and we’ll invoice accordingly under the same 14 day payment terms.

After payment for work to date is received, we’ll hand over what we’ve produced so far in usable form, along with the interview recording library and the latest manuscript files. We’ll also confirm, in a short handover note, what’s still outstanding and what we recommend as the next step if you continue with another writer or in-house.

Signature

Legal Notice: Please consult legal advice and carefully review the content of this contract template before implementing this template in your business.

Questions about this contract template

What should a book writing contract include?

A book writing contract usually covers the scope and deliverables, payment timing, review and rewrite terms, ownership of the manuscript and source material, responsibilities around accuracy and permissions, and how either side can end the project. This template also ties the contract back to an accepted proposal so both documents read as one set of terms.

How do you stop a ghostwritten book sounding like the writer?

A contract can’t guarantee voice, but it can define the process that protects it. This template bakes in weekly interviews and a voice sample and style sheet in the scope, then uses mark-up and a defined rewrite pass to correct voice, pacing, and accuracy.

What do I need to provide each week for a ghostwriter?

The weekly rhythm in this template is one recorded interview block each week, plus notes, emails, links, and any points that “can’t be missed” for that chapter. The scope also says the agenda gets sent in advance so the interview isn’t guesswork.

When do you pay a ghostwriter for a book?

The payment terms here set a 30% booking payment when the proposal is signed, then the remaining 70% when the finished work is handed over. Each invoice is due within 14 days, and late payment pauses new writing and editing until the account is up to date.

Who owns the manuscript and interview recordings after the book is finished?

This template transfers ownership of the manuscript text to the client once the final invoice is paid, and it also gives the client ownership of the interview recordings. The writer keeps internal process materials like checklists and templates, and uses recordings and drafts only for this project and backups.

What happens if sensitive material comes up in a memoir or business book?

The responsibilities section says sensitive points get flagged in the draft and talked through before the rewrite. The approach then gets agreed in plain terms, for example anonymising, reframing, corroborating, or holding something out.

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