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Templates / Contract

Free Voice Over Contract Template

A voice over contract covers deliverables, payment terms, pickups, usage rights, portfolio use, limits of liability, and how the project ends.

Voice Over Contract template preview

Language:

en

Category:

Last updated:

October 2026

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The script is locked, the cut is getting tight, and nobody wants to find out late that the read doesn’t match the timing or tone. A voice over contract gives both sides one place to agree what gets recorded, how pickups work, and what happens if the schedule changes, so the edit doesn’t turn into a chase for fixes. The terms sit under magenta accents with slate-blue calls to action, with Lora headings over Inter body text.

The opening section explains how recording, editing, and delivery run day to day, then What I’m delivering spells out what counts as the finished handover and when extra requests become a change to scope. Payment locks in a 40% booking payment up front and the remaining 60% on completion, with 14-day terms and a pause on further work if an invoice goes late... which is the part that keeps pickups from drifting into the next deadline. Pickups and changes defines one pickups window, then draws a line around new scripts, rewrites, added lines, and usage changes.

  • I will record, edit, and deliver Defines the day-to-day workflow for recording and delivery, so pacing, tone, and pickups stay predictable once the project hits the edit.
  • What I’m delivering Lists the deliverables being handed over and says that added or changed items get quoted as a change to scope before extra work starts.
  • Payment Sets a 40% booking payment to hold recording time, invoices the remaining 60% on final delivery, and pauses further work if payment runs late.
  • Pickups and changes Includes one pickups window for timing trims and small script-close fixes, and prices anything outside that as new work with written approval first.
  • Who owns what Grants usage of the finished audio once the final invoice is paid, while keeping ownership of source sessions, raw takes, presets, and other working files.

Once the terms match the job, you send the contract and the client signs online. The signed copy sits with the rest of the project record, so the agreed deliverables, usage, and end-of-project terms stay easy to refer back to when the edit asks for “just one more take.”

We went from spending hours on every proposal to creating fully customized ones in under 5 minutes. That's not an exaggeration - we timed it.

Yazan & Mawaheb
Yazan & MawahebAgency Owners

What to include in a voice over contract

PartWhat it covers

I will record, edit, and deliver

Explains how recording, editing, and delivery run day to day, with the goal of keeping the read and timing predictable once the project is in the edit.

What I’m delivering

Defines what counts as the project deliverables and treats additions or changes as a scoped change that gets quoted before the extra work is done.

Payment

Sets a 40% booking payment on signing and the remaining 60% on handover, with 14-day terms and a pause on further work until overdue invoices are cleared.

Pickups and changes

Includes one pickups window after the first delivery, then prices new script versions, rewrites, added lines, language or pronunciation shifts, and usage changes as new work.

Who owns what

Gives the client the right to use the finished audio for the agreed project and usage once final payment clears, while keeping ownership of raw takes and source session archives with the talent.

Portfolio use

Allows sharing the finished audio or an excerpt for portfolio and showreel use, with an opt-out for confidential work and support for a credit line or time delay when needed.

Problems and limits

Commits to fixing talent-side errors as pickups, and limits responsibility for issues caused by supplied materials, late production changes, or downstream losses outside the recording job.

Ending the project

Covers how either side ends the project in writing, how completed work gets paid up to the stop date, and includes a Signature block for sign-off.

Who it is for

Voice talent, VO studios, and production teams hiring commercial VO, audiobook narration, or e-learning narration when the job needs clear deliverables, pickups terms, and usage rights.

The contract in full

I will record, edit, and deliver audio that is ready to drop into your cut, based on the script and specs you approve. These terms are how I will run the work day to day, so the read, timing, and pickups stay predictable once you are in the edit.

What I’m delivering

Voice over recording covers the full recording and delivery process for this project, using the script, direction, and technical specs you approve before I record. My job is to give you clean, consistent audio that matches your pacing notes and can be slotted straight into your timeline.

Your project deliverables are listed below. If you want anything added or changed, I will treat it as a change to scope and quote it before I do the extra work.

* Recorded takes (slated) * Edited master files * Pickups and alternates files * Split files and naming set * Delivery notes sheet * Source session archive

Payment

To book the work, I invoice 40% of the total price when you sign the proposal. That booking payment holds the recording time and I do not start recording until it is paid.

I invoice the remaining 60% when I hand over the finished work. Each invoice is payable within 14 days of its date. If a payment is late, I will pause any further work, including pickups and alternates, until the account is up to date. If you need me to meet a fixed media booking or launch date, please tell me early so I can plan delivery around cleared payments.

Pickups and changes

Pickups are how I keep the read fitting your cut without turning the process into an endless back and forth. Included in the price is one pickups window after you review the first delivery. In that window, I will record timing trims, line fixes, and small wording changes that stay close to the approved script.

Anything outside that, I treat as new work. That includes a new script version, rewritten sections, added lines, a new language or pronunciation approach, or a change in usage that affects how the read needs to be performed. I will price the change and get your approval in writing before I record it.

Who owns what

Once the final invoice is paid, you can use the finished audio I delivered for the agreed project and usage. If you later need broader usage, a longer run, new territories, or a new cut that goes beyond what we agreed, tell me and I will quote it so you can decide before you publish.

I keep ownership of my source session archive, raw takes, templates, presets, and any tools I use to record and edit. I may also reuse my general recording and editing setup on other jobs. You do not need those working files to use the finished audio, but I keep them so I can match sound and performance for future updates.

Portfolio use

I may share the finished audio (or a short excerpt) as part of my portfolio, showreel, and client list. That can include my website and social channels, and it is only to show the kind of voice over recording I deliver.

If your project is confidential, unreleased, or you simply prefer that I do not post it, tell me in writing and I will not use it in my portfolio. If you want a time delay before I can share it, I am fine with that. I will also follow any reasonable credit line you give me when you want the work attributed in a specific way.

Problems and limits

I take care with performance, audio quality, and delivery specs, and I will fix mistakes that are mine. If you flag an issue like a misread line, an obvious edit glitch, or a file that does not match the agreed format, I will correct it as a pickup.

I cannot take responsibility for problems caused by materials you supply, like a script that has not been approved internally, incorrect pronunciations you did not flag, last minute changes after picture lock, or specs that change after delivery. I also cannot cover losses that sit outside the job itself, like missed media bookings or downstream costs in your production. My responsibility is limited to the voice over recording work and the amount you paid me for it.

Ending the project

Either of us can end the project by telling the other in writing. In that message, we will agree the stop date so there is no confusion about what is in progress and what is not.

If you end the project, you pay for the work I have completed up to the stop date. The 40% booking payment is not refundable because it holds time and turns away other bookings. If you have already paid more than the value of work completed, I will refund the difference. Once any due invoices are paid, I will hand over the work completed so far in whatever state it is in, along with any delivery notes needed to use it.

Signature

Legal Notice: Please consult legal advice and carefully review the content of this contract template before implementing this template in your business.

Questions about this contract template

What should a voice over contract include?

A voice over contract usually covers what gets delivered, payment timing, how pickups and script changes are handled, usage rights, and portfolio permission. This contract also includes limits of responsibility and what happens if either side ends the project.

How many pickups should be included in a voice over agreement?

The contract includes one pickups window after the first delivery for timing trims, line fixes, and small wording changes that stay close to the approved script. Anything outside that window or outside that scope gets priced as new work before recording.

Do voice over contracts cover usage rights and ownership?

Usage is granted for the agreed project and usage once the final invoice is paid. The contract keeps ownership of raw takes, source session archives, presets, and other working files with the talent.

How do payment terms usually work for voice over work?

This contract uses a 40% booking payment to hold recording time and starts recording only after that payment is made. The remaining 60% is invoiced on final delivery, payable within 14 days, and late payment pauses further work like pickups.

Can a voice over artist use the work in a portfolio?

The contract allows sharing the finished audio or a short excerpt for a portfolio and showreel. Confidential or unreleased projects can be excluded in writing, and a time delay can be agreed.

What happens if a voice over project gets cancelled?

Either side can end the project in writing and agree a stop date. The client pays for work completed up to that date, the 40% booking payment stays non-refundable, and any overpayment gets refunded once the value of completed work is calculated.

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